Lyndal Osborne's creativity demands space — more space than her home-based ...
21.05.12
EDMONTON - I love to amble about an artistâs studio, the earthbound milieu where the divine unfolds, eager to glimpse into anotherâs creative journey, spy their wares and peek into their tool box.
Lyndal Osborne âs studio is a lot like a natural history museum. It is a treasure trove of curiosities from the natural world, crates spilling with seaweed, dried flowers, fruit skins, shells, skulls and birds nests and shelves chock-a-block with finds from decades of beach wanders and walk-abouts. My eyes dart from one thing to another. This is going to be fun.
Osborne is the recipient of many prestigious awards and has a career both successful and prolific. Her work has shown internationally in more than 360 exhibitions and is in more than 75 permanent collections, including the National Gallery of Canada.
Growing up in Newcastle, NSW, Australia, Osborneâs penchant to collect started with beach-combing. Little did she know this interest would became integral to her printmaking in the early â70s, when she used organic materials to build the maquettes (small-scale models) that inspired her prints.
Source: Edmonton Journal